KINDER KONZERTS™ HISTORY
HISTORY OF KINDER KONZERTS™ COMMISSIONED STORY PIECES
In the early years of Kinder Konzerts™ (1979-1984), ensemble musicians (in the quartet or quintet) created the music for the stories by improvising on a text written by Joanna Cortright. These early story pieces included The Little Engine That Could, Three Billy Goats Gruff, and Goldilocks and the Three Bears. The wind quintet performed a reduced arrangement of Prokofiev’s Peter and the Wolf during one of the early years.
In 1983, Kinder Konzerts™ made two significant changes. First FRIENDS expanded the ensemble to include eight musicians representing all four instrument families. This step provided young listeners a chance to hear a wider variety of orchestra instruments at each concert.
The second was the exciting move to commission composers to write new story pieces for the mixed ensembles. Libby Larsen, then composer in residence with the Minnesota Orchestra, recommended Janika Vandevelde as the first composer who would create a Kinder Konzerts™ commission for young children.
Over the years, some story compositions drew their text from an existing children’s book and others were based on public domain tales.
A LEGACY IS BORN: KINDER KONZERTS™ HISTORY
Ara Burwell brought the idea of Kinder Konzerts™ to FRIENDS after attending an American Symphony Orchestra League conference (now known as the League of American Orchestras) and becoming inspired by an idea of concerts that connect music to children. Discussions within FRIENDS led to a proto-type concert in the spring of 1977. Kinder Konzerts™ was officially launched in the 1978-79 season with four concerts of small ensembles—(1) string quartets, (2) wind quintets, (3) brass quartets and (4) a percussion trio.
Over time, folk tales and picture books have been central in Kinder Konzerts™ programming. Composers have written music for each story, 18 commissions in all, and played by an ensemble of musicians. Their instruments represent the four instrument families in an orchestra.
Outreach programs have included Kinder Konzerts™ on the Road for under-resourced schools. A visiting artist does a residency with teachers and children in Pre-K and kindergarten, culminating in a performance of the Kinder Konzerts™ ensemble at their school.
In 2019 the pandemic necessitated closing down the school trips and live performances at Orchestra Hall. Our creative team developed Virtual Kinder Konzerts™. Online lessons and the companion school boxes for 20 children and family boxes for 3 children became the way to keep the magic of music and literacy alive. Libraries throughout the state opted for bags of the book, music and literacy activities to accompany the online learning.
A related pandemic program, "Out and About,” was developed by education consultant Katie Condon. She visits schools and libraries to share the Kinder Konzerts™ book and music with young children. We expanded the reach to communities out of the Twin Cities.
After a three-year hiatus, Kinder Konzerts™ will return in February of 2023! We will continue to strive to meet the needs of children’s musical curiosity. We have hosted over 1500 Kinder Konzerts™, serving more than 160,000 4-and 5-year old children.
It’s the children’s open curiosity and delightful expressions that make each Kinder Konzert™ concert unique: engagement, honesty, amazement, "oohhs" for the size of the double bass, "aahhs" for the low, low sound of the double bassoon, giggles when the oboe reed squawked, and outright laughter when brass players show the silly noises they make on their mouth pies. No wonder this program continues to thrive and multiply.
WHY HAS THIS PROGRAM PROSPERED FOR SO LONG?
The keys, I think, have been the willingness to work to “get it right,” the high-quality partners (MN Orchestra musicians, composers, outstanding volunteer organization), a clear mission, and a commitment to CHANGE when it helped us better realize that mission.
Of course, we all remember Sound Factories and concerts that didn’t flow as smoothly as we wanted; or a particular Kinder Konzerts day with a short staff – or times when we had to deal with a rude adult…
And who can forget some of the answers - turn it on, get some batteries, get your mother to show you. AND we can remember and celebrate the gratitude expressed by teachers and parents who know that Kinder Konzerts does make a difference for children and teachers – and for the quality of music education in the region.
25 years; at least one thousand concerts! Over 100,000 children listening to music inside our favorite house for music, Orchestra Hall, hundreds of volunteers, thirteen commissions, and thousands of new friends for the Minnesota Orchestra.
BRAVO!

Jack and the Beanstalk
1984–85
Book by
Joseph Jacobs
Music Composed by
Janika Vandervelde

The Seven Sneezes
1985–86
Book by
Olga Cabral
Music Composed by
Libby Larsen

The Mitten
1986–87
Book by
Mona Reese
Music Composed by
Mona Reese

The Grandfather Tree
1987–88
Book by
Zenaida Féraud-Pfisterer
Music Composed by
Dan Sturm

A Three Hat Day
1988–89
Book by
Laura Geringer Bass
Music Composed by
Dalton Winslow

Ferdinand and the Bull
1989–90
Book by
Munro Leaf & Robert Lawson
Music Composed by
David John Olson

Jack and the Beanstalk
1990–91
Book by
Joseph Jacobs
Music Composed by
Janika Vandervelde

The Tomten and the Fox
1991–92
Book by
Astrid Lindgren & Eva Eriksson
Music Composed by
Monica Maye

Legend of the Blue Bonnet
1992–93
Book by
Tomie DePaola
Music Composed by
Steve Heitzeg

The Mitten
1993–94
Book by
Mona Reese
Music Composed by
Mona Reese

Mama Don’t Allow
1994–95
Book by
Thacher Hurd & Edith Thacher Hurd
Music Composed by
Gerald Kechley

The Seven Sneezes
1995-96
Book by
Olga Cabral
Music Composed by
Libby Larsen

Three Fun Fables
1996–97
Book by
Dorff
Music Composed by
Daniel Dorff

Ferdinand and the Bull
1997–98
Book by
Munro Leaf & Robert Lawson
Music Composed by
David John Olson

Somewhere in the World Right Now
1998–99
Book by
Stacey Schuett
Music Composed by
Jonathan Holland

Mama Don’t Allow
1999–00
Book by
Thacher Hurd & Edith Thacher Hurd
Music Composed by
Gerald Kechley

Three Bears
2000–01
Book by
Paul Galdone
Music Composed by
Daniel Dorff

Jack and the Beanstalk
2001–02
Book by
Joseph Jacobs
Music Composed by
Janika Vandervelde

The Tin Forest
2002–03
Book by
Helen Ward
Music Composed by
Steve Heitzeg

Three Fun Fables
2003–04
Book by
Dorff
Music Composed by
Daniel Dorff

Mama Don’t Allow
2004–05
Book by
Thacher Hurd & Edith Thacher Hurd
Music Composed by
Gerald Kechley

The Bremen Town Musicians
2005–06
Book by
Ilse Plume
Music Composed by
Edie Hill

Three Bears
2006–07
Book by
Paul Galdone
Music Composed by
Daniel Dorff

Sweep Dreams
2007–08
Book by
Nancy Willard
Music Composed by
Stephen Paulus

The Tin Forest
2008–09
Book by
Helen Ward
Music Composed by
Steve Heitzeg

Jack and the Beanstalk
2009–10
Book by
Joseph Jacobs
Music Composed by
Janika Vandervelde

Three Fun Fables
2010–11
Book by
Dorff
Music Composed by
Daniel Dorff

Mama Don’t Allow
2011–12
Book by
Thacher Hurd & Edith Thacher Hurd
Music Composed by
Gerald Kechley

Max Found Two Sticks
2013–14
Book by
Brian Pinkney
Music Composed by
Janika Vandervelde

Perfect Square
2014-15
Book by
Michael Hall
Music Composed by
Charles Lazarus

Perfect Square
2015-16
Book by
Michael Hall
Music Composed by
Charles Lazarus

The Tin Forest
2016-17
Book by
Helen Ward
Music Composed by
Steve Heitzeg

Max Found Two Sticks
2017–18
Book by
Brian Pinkney
Music Composed by
Janika Vandervelde

Perfect Square
2018-19
Book by
Michael Hall
Music Composed by
Charles Lazarus

One-Dog Canoe
2019-20
Book by
Mary Casanova
Music Composed by
Daniel Nass

One-Dog Canoe
2020-21
Book by
Mary Casanova
Music Composed by
Daniel Nass

Max Found Two Sticks
2021-22
Book by
Brian Pinkney
Music Composed by
Janika Vandervelde

Max Found Two Sticks
2022-23
Book by
Brian Pinkney
Music Composed by
Janika Vandervelde

Max Found Two Sticks
2023-24
Book by
Brian Pinkney
Music Composed by
Janika Vandervelde
